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I found it a little annoying that the pivot widget overlapped the position widget for the video, causing me to repeatedly reposition the video layer when I wanted to adjust the pivot position. It would be nice to see an option to turn the position widget off.
The presets include flares specifically meant for use with titles mattes. The render time can be a little bit of a bog-down however, so try to preview it in draft mode before you render. This is the best implementation of the effect I have come across, with very detailed and flexible parameters, including onscreen widgets to misalign the RGB channels.
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The two images below are created from the source image, the only difference being the preset I am using. Applying BCC Prism to generic animation looks should reap very abstract and interesting background possibilities.
I see many interesting possibilities for video-wall backgrounds in my future. While the plug-ins can get deep with complex parameters, the presets always present ways to achieve sophisticated effects with minimal effort. For this reason, Boris Red has become an indispensable tool for all my keying operations. BCC shares the same core architecture as Red, and sure enough, it offers the same the deep operability as Red.
After you tweak your color key, you can nest Matte Cleanup , Composite Choker , and Matte Choker effects incrementally to achieve that impeccable key. Each plugin lets you view the matte at that stage of manipulation with a simple mouse-click.
The matte control effects allow you to create garbage mattes with preset shapes rectangle or oval , but lack the ability to create custom splines. That may be a good add for a future version.
BCC Motion Key , a new offering in this category, gauges movement in the foreground and then replaces those pixels with a clean background plate excluding the foreground object it constructs, borrowing background pixels across the duration of the clip. Sounds intense, and it is to your processor, so take that lunch break while this one renders.
Still, this is a welcome addition, automating an otherwise labor intensive job of drawing numerous mattes and stitching them together. While editing investigative documentaries, I often have to work with scanned photographs and documents. The on-screen widgets are simple and intuitive to the point of brilliance. I can finally zoom, pan, and rotate the camera with ease, and best of all, view the final product in a little window on-screen. Home run! Click image for larger view. The new Uprez effect is another timely addition in the same category Distortion and Perspective , just as the transition from SD to HD is becoming mainstream.
To be honest, I started off being a little skeptical about its claims. So I threw a rather tough challenge at it to see how it stacked up. The source was a long shot inside a Vegas casino shot at i HDV and down-converted to i in-camera. For reference, I recaptured the shot in native i resolution as well.
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The result was breathtaking. Click for larger. To apply a BCC effect to a title or to an imported matte, drag the effect onto the title. For example, you could apply a BCC Emboss to a title and then blur it. This category contains filters that you may want to use as a static background. When you apply these filters, they do not animate, but they will play in real time. You can also apply these filters to use clips in the timeline as textures. The frame where the position indicator was when you applied the filter to the clip is used as the static texture; the clip no longer plays back.
If you apply a RT Static Textures filter to a clip, make sure you are on the appropriate frame of the clip when you apply the filter. Boris effects render exactly the same as native Avid effects. Render effects individually or render in to out. In addition, if you re-digitize material, you simply re-render any effects; all parameters are preserved. For more information, consult your Avid documentation.
If your configuration passes this internal test, the filter opens with OpenGL enabled. If your configuration does not pass, an error message displays in the Composer window and OpenGL is disabled. However, depending on the error message, you may elect to enable OpenGL manually.
On the Macintosh platform, OS If your system does not pass the OpenGL test, the Composer window displays an error message. Click Yes to view the results of the internal OpenGL test. A window displays information about your system, including the graphics card, OpenGL version, driver, texture memory and OS version.
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Two types of error messages can display in this window. The first type of message indicates an unsupported configuration. In this case, you can try manually enabling OpenGL by selecting the Enabled checkbox in the dialog box. In many instances, unsupported hardware can correctly render the OpenGL filters. If you enable this option and your system displays distorted frames, you will not be able to use the OpenGL filters. The second type of error is a critical error. A dialog box allows you to name and save the file.
Presets are only compatible with the filter in which they were created. For example, if you attempt to load a Cartooner preset into a Blur filter, the preset is ignored. However, you can also save PixelChooser parameters as presets. These presets are an excellent way to learn the capabilities of a filter. The Preset menu allows you to save filter settings independently of the media or project.
You can return to the Boris Continuum Complete default settings or to a custom default that you create yourself. To load a previously saved filter settings file, you must first apply the same filter to your media. A list of existing presets also appears in the menu. O2 I Title Studio. H7 J1 n: A state-of-the-art keying algorithm quickly isolates skin tones, while retaining natural sharpness and contrast.
OpenGL-accelerated features include extrusions, materials, cameras, lights, and deformers for advanced title creation. Includes support for Maxon Cinema 4D models, Adobe Illustrator, and features a custom user interface for simple to complex title creation. BCC Remover fills in missing pixels and removes objects with clone and auto-fill options. BCC Dropout Fixer restores tape-based damaged footage with field dropouts. BCC Light Leaks adds organic and naturalistic "in-camera" light and exposure effects to stylize and enhance footage.
BCC Video Glitch recreates the distressed look of compression artifacts, signal loss, and corrupt digital video.